A lot of people were really drawn to the paint splatter version of sadness. They were interested in the movement and the contrast levels. They thought it was very expressive.
When I talked to Seth Ellis last week, he also liked the mystery of that composition, but we both decided that the organic paint splatters and trails were too disparate from the geometric form of the triangle. So, in this iteration I tried to make the composition feel and look the same as the other but use only geometric shapes. I really want it to be possible to create all the same feelings as the splattery version with these seemingly "less expressive" shapes.
I like the noise that the small squares (liquid splatters) are creating. That is all for now. Comments appreciated.
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