Thursday, December 17, 2009

Rap music doesn't have to make sense...

I've decided this.

I've set two realistic goals for winter break:
1) Complete the two most recent compositions I started.
2) Update my portfolio!!! << DO IT!

Here's what I did today. (That's right, I worked today. High-five to myself) It's a continuation of the last composition. It's leading into irrationality. Sorry for the random black lines, these images are screen shots. :/




 


Review & Plan

Review went well. I got some great ideas/feedback.
Today, I'm going to the Duderstadt to work.
I am also going to UHS to get a prescription refill.

Video Unrelated. *but super badass


UT Twente - Identity from The QBF on Vimeo.

Saturday, December 12, 2009

I'm so stressed...

I'm going to like... throw up or something.

Thursday, December 10, 2009

Heavier

I tried to make this shape have more weight and seem even MORE precariously hung. I moved the fluffy cloud-like texture so it doesn't seem like its floating. I've made one of the string's snap and also fray... does it look heavier? I hope so...





























First semesters pretty much over.
I've been feeling really weird lately. Not myself...
Hopefully, winter break will let me unwind a little bit and regain some stability.

Tuesday, December 8, 2009

Gorman Grant

Thank you to the Gorman family for their generosity towards the IP students!

I will put my grant money to good use!

Monday, December 7, 2009

Vertical Melancholia

I've reintroduced an "actor." The last piece seemed... unfocused. I still think it reads as a landscape though. :/
Anywayssss....
I'm ecstatic about this illustration. This is a work in progress. The further down it goes the less detailed it is because, obviously, I have spent less time working on it. I intend to bring this into photoshop when the Illustrator file is more complete.

Comments, impressions, and reactions are appreciated.
Please click for larger view.


Saturday, December 5, 2009

A Work in Progress

I think things are moving in a good direction. Since talking to Hannah, I've decided to try to work on a canvas size outside of a normal poster frame. These are becoming more like "emotional landscapes." I've removed the actors or characters I had before. I want these strips to be longer I think. I want it to feel like there's a long time being portrayed.

This image below is a combination of sadness and the beginnings of irrationality. Again, it's a work in progress and is no where near done. In fact, I would still consider this an experiment and may never be a complete piece.


Anyways, here's my wip. I suggest clicking to see a larger version. :)



Thursday, December 3, 2009

Yea, Hannah!

I spoke with Hannah Smotrich today. She was so helpful. As usual she was direct and to the point. She brought up problems she found in my project and then suggested ways to fix these issues. Best of all she set me on a forward facing direction. :)

We talked it out.
She understood my project.
I'm thankful for our meeting.


I'm in the midst of applying to graduate schools. Omg, I'm drowning...

Tuesday, December 1, 2009

Monday, November 30, 2009

no more designing

I talked with Doug.

He agrees.
I agree.
We agreed on a lot of things.

But what I agreed with the most was: No more designing until I develop a good metaphor for this project!
It is so obvious now that I need one.

Attempt

to integrate some kind of text to support the graphic narrative.

























But apparently it still adds nothing?

Tuesday, November 24, 2009

Change

is good?

I'm glad that I decided to ignore the 3D form for now and experiment without that certain triangle. It's really let me try some really different things.

Here is are some versions of a composition I've made for sadness. I really need feedback...
(pixelation is on purpose. i just wanted to play around with that censored out, low quality, web... look. anyways, i'm not super in love with it)


























Yep that's right... there's text in there. :/ I just wanted to see if I was losing anything if I didn't have text. And, I still feel the same. I don't think I need it.

Then, I started to feel like... I don't even need that drippy blood shit. Why do people like that so much? It's so distracting :|

Last version, and also my favorite:



Assignment

Create four posters. Each describing/expressing the four stages of depression.
Initial Impact, Sadness, Irrational, and Numb.
Be able to create a kind of viewing order. Keep in mind each poster should be strong enough to stand alone.

Audience
The viewer should not feel connected nor fully understand the piece. They're role in viewing the piece is similar to their role if they actually were seeing someone going through depression. They feel confused, don't know how the other person feels, are trying to figure it out, but are unable to truly understand. To them the abstractions of these posters feel right because a person who is depressed, truly is an abstraction that's hard to perceive.

Elements
Colors are optional, but very important as colors are tied very closely to human emotions.

Style should be expressive yet controlled. Use what you know as a graphic designer to create an expressive piece, which is the challenge. Try not to always run to paint splatters to be expressive. It is like an artist's emotional crutch.

You are still communicating some information. You must communicate a small narrative, emotions, and transitions. There must be different feels to each poster, therefore you must choose a style(s) that can accurately represent the difference of each stage.

Use of photos or literal images are up to you. Remember however, that the use of literal images means literal definitions. That is unavoidable. Keeping these things to an abstractive quality may help diminish these assumed meanings.

Size 24 x 36.
Printed.
Due for Critique: January 1, 2010 (well also Dec 15 for review I guess)

Monday, November 23, 2009

Books I'm buried in them...

I've been looking at Alan Fletcher's work for some expressive design inspiration.





















I'm reading Jose Muller-Brockmann Pioneer of Swiss Graphic Design.
I'm studying the Designer's Color Manual and Josef Alber's works and writings.
I'm looking at Dada art.

I am committing to my project.
I have the ability to see this through.
I'm researching... I'm trying.

Who's out there to help me? ... anyone?
thought so...

------------------------------------------------------------------------------------------

Anyways, in an effort to push myself farther and get some more variety in designs. I have decided to ignore the 3D element for now (aka the receeding triangles) and design compositions free of that form's constrictions.
That form is what's holding me back a lot design wise (like the organic, geometric contrast).
I will just keep in mind that I want parts of the composition to end up 3D.

This should help me push forward...
and in the end, I'll just reintegrate that 3D surprise.

I also am thinking of writing out my "proposal" as an "assignment." Maybe that will help me think of this project in a new, yet comfortably familiar light.

Therapy

Is designing things for myself without the pressure of a boss, a professor, or a client.
Without needing to explain to you a meaning or concept.
This is what makes me happy.
















































Anyways... these compositions are explorations of the negative shapes left from the triangles I lasercut. I used that lightbox I built. :)

origami

is fucking hard

Puttin' out dat fiya!

Ignore lame title.

























So, I'm still into the idea of a flat black triangle on a black background, but I thought I'd play around with smoke. I was thinking about how smoke signifies the end of a fire, but also the beginning.  The white lines extend from the previous poster in an attempt to create a distinct viewing order.  Also, they create a foreground, which pushes the matte triangle even further into the background.

PS - I'm not attached to the idea of a vector illustration of smoke... just tried to get a sketch out there.

Saturday, November 21, 2009

Sadness
























A lot of people were really drawn to the paint splatter version of sadness. They were interested in the movement and the contrast levels. They thought it was very expressive.

When I talked to Seth Ellis last week, he also liked the mystery of that composition, but we both decided that the organic paint splatters and trails were too disparate from the geometric form of the triangle. So, in this iteration I tried to make the composition feel and look the same as the other but use only geometric shapes. I really want it to be possible to create all the same feelings as the splattery version with these seemingly "less expressive" shapes.

I like the noise that the small squares (liquid splatters) are creating. That is all for now. Comments appreciated.

Thursday, November 19, 2009

Explode
























Exploration of Irrational

Wednesday, November 18, 2009

One more

before I ass out...


Tuesday, November 17, 2009

Feelin' pooped, but...

I played around with a few compositions today. I think a couple are the same as before, but most have been edited in some way.

*Disclaimer: These are in no way a set yet. So, the styles are different. I just am experimenting with different ways to portray each stage. When I do end up with a style I really like I will continue it to make the rest of the set.


Initial Impact:


Sadness:


























































Irrational:

Numb:



















I've only really had time today to do a couple for initial impact and sadness. I was looking a lot at shattered glass, dripping water/paint, and craters for inspiration. If anyone was wondering.
I'm going to be working on these compositions for the next few weeks.

I really hate the way blogger uploads images... and the way you place them in a blog entry. It's so frustrating and not logical.

COMMENTS APPRECIATED :)

Monday, November 16, 2009

3D Models










































































 
BEAUTIFUL 3D renders from Victor :)
This is it, this is what I'm envisioning for the show. Simplistic, minimalistic, solid, clean, and bold.
I just hope no one thinks that this project looks easy. I have never struggled so hard to try and communicate information with so few graphical elements and no text! Not to mention, construction of anything and me almost always spells disaster...

Anyways, this weekend has been super frustrating. I attempted to make a small-scale model and ran into a lot of problems with materials. What I thought was going to work definitely did not... I'm having problems cutting steep angles. I bought an amazing mat cutter, BUT the blade sticks out so far that I can't use a ruler to make a straight cut. :/
Long story short, I am knee-deep in material studies. I need to find the right paints as well. I'm looking at spray paints for colors now. I think I can get a more even coating.

My future plans? I need to buy more materials to test out.
The 3D model will allow me to take measurements off of it. I am going to make this small scale model, even if it kills me and destroys the order in my studio! So, that's where I'm at... continue refining compositions and complete a small scale model.

As soon as I get this material problem down, I can really move forward with construction.




MATERIALSSSSSSSSSSSSSSSS AGHHHHHHHHHHH... definitely my biggest speed bump >_<

Thursday, November 12, 2009

I really did it this time

I may have sliced my finger open in an attempt to cut angled edges on my foamcore. I may also have laid limp and faint on a futon for like 30 minutes afterward. Xacto blade, you have never been my friend.

So, Plan A for assembling a pyramid was a failure.
Plan B, I am waiting for a dexter mat cutter. It says it has an adjustable blade for any angle or depth, but I am afraid the foamcore is too fat for the blade. We'll see tomorrow... I had it rushed delivered. :/ stupid expensive.

Oops

Man, IP has obviously influenced my work outside of school... haha


Wednesday, November 11, 2009

oh. thank. god.

I finished my grant application.

I got a great comment from Kristen reminding me to make sure the stages between sadness and irrationality are distinctly different. This will help reinforce the craziness in irrational.

I want Call of Duty: Modern Warfare 2 so bad...
I have to finish Borderlands.
I have to continue Aion.

Too many new video games + IP = disaster haha

Tuesday, November 10, 2009

Iterations

Here are a few of many more to come.

I tried experimenting with landscapes and textures to create a surrounding, an environment that describes each of these stages. I was inspired by the cover of a book on my desk, Data Flow.











The floating spheres are so interesting in how unnatural they are. This type of perfect geometric shape doesn’t exist often in natural landscapes yet here it is in a natural plane. So, I wanted to see if I could bring some interests to my compositions by including a background element.




 
Sadness was tough because it so strongly communicates a bleeding wound. Skin was an obvious first choice. I then tried to use textures and materials that were like skin in their properties (color,
texture...) I tried using the skin from other animals and plants as well. I even used the texture of a real heart, which I like a lot. For irrational, I experimented with photos of space and things like head xrays and mri scans.

I also noticed that the second “set” has become all images of the body... not sure if I like that or not. Hmmmmm... maybe... maybe.

Monday, November 9, 2009

Sexy Shapes

So, I'm currently doing color tests on the foamcore. People are suggesting that I find a way to cover up the edges of the foamcore. I've been trying to glue paper on the edges, but that takes such meticulous care. I need to research other materials that can be laser cut or at least talk to someone who knows of one that is both light and smooth. :\ hrm...

I'm a little bummed, no one came to talk to me today... 

Until then, here are two compositions I did today. I was just playing around. :) Enjoy.



Sunday, November 8, 2009

New Photos

Here are some better photos of my two tests. The second test, I'm going to turn into the All Student Show.




















































Monolith

4Walls

I wouldn't say that my chosen content is a direct result from suggestions of others, but it was heavily influenced by the train of thought that resulted from those suggestions.

When I am asked these questions about my family or having a split identity between cultures, it can be narrowed down to asking me what it feels like to be depressed or to have depression. Depression is something that plagues my family, including myself. Especially, when it comes to the topic of my family. We are very strange people. We don't talk about our situation. We try to save face for our father. We live separately in order to support the others. All these things puts so much of a strain on each of us. So, the topic of my family and identity is interesting, but also depressing.

So, that is how I arrived at my current place. I have made 4 compositions. Each one relating to a wall that it will rest on. For sake of conversation, I have titled each piece. These titles are not necessarily important to the project. However, a project title will prove to be very critical in the understanding of my project and will have to be picked carefully.












* Worth the click to enlarge

This topic is so personal to me and it's so revealing. At first I wasn't sure if I could push myself to go that far, but it's allowed me to create compositions with very strong content that I am intrigued and will pursue it.

The explanations:

Initial Impact: This is the feeling when some negative event or a series of negative events just becomes lodged in your mind and heart. It is inescapable in that it consumes your thoughts. It may not even be a significant problem, but it is to you. For you, it is the "last straw."

The black triangle obviously represents the negative event(s) and the cracks signify this problem spreading everywhere and branching off into more problems. The position of the triangle signifies a violent action (to get it lodged in there).

The yellow line (or circle) hints towards where the viewer should stand. It should be far enough where they really feel like an outsider to the project. The crack then leads to the next wall, in attempts to create a kind of path and order in viewing.

Sadness: This poster represents the feeling of sadness you feel when you start to analyze all the negative events. Even when the negative events are removed or that initial impact has faded, its impossible to stop your eyes from dripping with tears. It's impossible to not feel an ache in your heart like your mind and heart are melting/bleeding. You are in a hole of feeling very sad and you're not sure how to get out of it.

The pyramid on the ground is to reaffirm the idea that this initial impact has been "removed."
The red blood/path leads into a yellow ribbon into the next triangle, feeding the irrationality.

Irrational: I call this the response stage. This stage is, like I said, fueled/fed from the previous stage. You have an explosion of emotions and thoughts. Many times you think you make sense, you believe your thoughts are rational. But, in fact, they are very irrational and unlike yourself. You feel sadness, hopeless, and disparity. These feelings just "drip" into your mind like a poison.

The triangle should be black, but it was hard to make the effect so it looks gray. The black triangle represents this kind of black hole that is constantly being fed by the last stage. It is chaotic and, honestly, a horrible place to be. In the background, there is a rectangle whose lines should be straight. They're crooked and uneven to represent something that you think you know what it should be, but its not quite right. This is similar to your thought process and possibly even actions. It seems right, you know what its suppose to be, but it's all wrong and messed up. The black drip signifies the dripping of these thoughts and actions back into your mind.

Numb: And in the end, when all this has burnt itself out... you feel nothing. You go about your everyday business. You've forced yourself to forget what's happened. You just feel numb.

For this composition, I intend for the black triangle to be painted with matte black paint, and the poster to be painting in a high gloss paint. It symbolizes that kind of dullness, numbness and emptiness you feel you've become. The high gloss is a kind of a nice touch in the sense that it can represent a kind of nice quality, nice touch to the surroundings and the matte triangle is still just... matte. It's flat, 2D and great to describe this stage.

The best part, is that the very next wall is the beginning of this process, because that's how it works. Depression is a constant cycle of this process, and all that differs is the amount of time you go from numb to initial impact.



I am still exploring new ways to portray these four stages.
In fact here is my current to do list:
- Explore painting on the material
- Explore gluing printed color sheets to material
- Expand on compositions
- Create laser cutting files for pyramid
- Re-photograph tests
- Buy stuff
- Grant Proposal
- Model a 3D version of the final structure. So, I will kind of know what I'm doing.



COMMENTS?!

Friday, November 6, 2009

Form Tests 1 and 2

So, yesterday and today I spent laser cutting and assembling these test forms. They are currently pasted to foamcore, but that was obviously a mistake since the foamcore is warping and pulling itself from the form. The forms themselves, however, are doing just fine!

I'm really happy with how they turned out. I have two big problems right now. I am trying to figure out how to continue to build "height" on the pyramid, therefore building "depth." Also, I have a half sized model that I am trying to figure out how to put color on. Tomorrow, I plan to finish off my second test and do color tests on my half scale model.

Below is a picture of my first test, which was far too shallow and I was a little messy with the glue.























Here are pictures of my second test which was much more successful.














































For some reason these pictures got really compressed... I'll try and post better ones when I get my tripod back.

Wednesday, November 4, 2009

A New Structure

I am thinking about changing from a wall installation to creating a structure to house the posters. This rectangle (or triangle, or pentagon the sides determine how many posters are displayed) will allow for the depth of the elements to go deeper than a wall would allow. It also could help visual a point that all the elements recede to.

I think the biggest reason I am interested in this form is because it would force a viewer around the structure to view all the posters. This movement around makes them look at the posters from various different angles that they might not be inclined to do if these posters were on a wall.

Here's a sketch if what I'm saying makes no sense...























I'm also looking at Jen Stark for inspiration. She truly is a master of perception and color.

Tuesday, November 3, 2009

I'm pretty sure I love

Eva Funderburgh's work. CUTE!


What I did today

I tried to figure out what materials I would need, what facilities I would use, and the size of the poster I would want to work with.

This will be a pricey project, but totally worth it.

Here is an image of the poster dimensions I drew up. (24x36, which I guess is a fairly regular sized poster) It looks bigger in real life... but I kind of want to go bigger...
















I'm still trying to decide how many posters I'd like to do. The more I do, the more holes I need cut into a wall. :/ Hrm...

Sketch Up

Please ignore the horrible colors... I wasn't paying attention to the markers I was choosing. So, yes they're all clashing and gross.

But, here is the highly detailed render of what I envision... the installation to be like.


Po Stur Inshtaulashion

Poster Installation.

Posters and installation projects are both temporary forms of display. My interest is in combining these two disparate disciplines in an effort to explore alternative means of displaying graphical elements. The compositions that I have been working on have begun to converge in style and focus, and by continuing to advance and discover the patterns behind these daily compositions I hope to come to a conclusion which will be fitting of this hybrid presentation.

The designs I choose to use for the pieces will focus on space, depth, and balance. By incorporating the 3rd dimension into these typically flat works, one can accentuate the aforementioned elements while also adding another layer of interest as the viewers perception of these pieces changes as they view the piece and discover the physical depth hidden in the wall.

I would be moving graphic design out of the realm of media typically associated with its practice.

Monday, November 2, 2009

Today's been a weird day

and that leads to this weird illustration I made... :/